Notes from the Black Lagoon

Posts Tagged ‘children’s literature

Well, the last time that I wrote (and it was an embarrassingly long time ago!), I said I was going to write more.  You can see how quickly that has fallen by the wayside.  but it’s 2009 and I’m back and hoping to be better than ever. A

At the moment, I’m busy planning our February vacation programs:  A Fancy Nancy Tea Party, an African Wrap-Doll Workshop and perhaps, maybe, a story/craft with Miss Ellen (although she doesn’t know it yet!).

In previous years, I had sort of skipped over February vacation, thinking that  most families, well, went on vacation.  Boy, how wrong was I!?  People kept pouring into the library last year, demanding programs and looking at me like I was INSANE when I said there were none.  I learned my lesson, obviously.

I think I’m most excited for our Fancy Nancy Tea Party on February17th.  Mostly because I will be getting fancy for it as well.  So many of our patrons really love the Fancy Nancy books and who doesn’t love celebrating books?  Especially when you can do it in style!


I have a guilty secret to confess. I’m a children’s librarian and I love to read. I just don’t love to read children’s books. Let me clarify. I adore pictures books. I rejoice in easy readers. I abhore most children’s fiction. I’ve tried really hard and I feel so guilty because there are tons of childrens’ librarians out there who LOVE kidlit. So, in the spirit of the new year, I’ve made a resolution to try and read more kid’s fiction from our collection. Here’s my first attempt:

Last Girls of Pompeii by Kathryn Lasky

The Last Girls of Pompeii by Kathryn Lasky takes us back to the vibrant world of ancient Pompeii in the Roman Empire, full of augers, soothsayers and bizarre wedding customs. 12 year old Julia is a member of the city’s most prominent family and is its last unmarried daughter. Born with a shriveled arm, Julia had spent most of her youth with her slave, Sura, sheltered by her her loving family, including her doting cousin Marcus. As her sister Cornelia’s wedding day draws nearer, so does Julia’s and Sura’s dread about their uncertain futures. Sura’s eavesdropping reveals a master plan to give the deformed Julia (who is not expected to marry) as a priestess to a prominent cult’s temple and sell Sura to finance Cornelia’s open-bar reception. Lasky builds the sense of impending doom by alluding to tremors, noxious gases and other tell-tale signs of Mount Vesuvius’s tragic eruption that would eventually take place in August of AD 79. This is nicely juxtaposed nicely with both girls’ struggle to come to terms with the meaning of freedom and the ability of each to chose her own future. The book also explores the complicated and beautiful relationships between sisters and, through Sura and Julia’s relationship, suggests that sisterly ties can exist beyond the bounds of family. The most problematic parts of the book center around the character of 15 year old, Marcus, Julia’s cousin. Though Marcus, who laughs at the supposed silliness of Roman traditions and religion, Lasky tries to present a modern understanding of physical deformities that seems a little too anachronistic to fit in with the rest of the story. While admirable, this contributes to the plot’s uneven pacing: It drags in the middle as Julia is dragged from one oracle to another and then abruptly jumps forward with lightning-quick speed as Marcus proposes marriage as a way for them both to escape their fates. Modern middle grade readers may also be a bit puzzled over the budding love of first cousins (an acceptable Roman social more). All in all, this novel is an interesting idea for historical fiction. It richly describes Roman life while providing a deep exploration of the two protagonists but it ultimately leaves readers hanging with its uneven plot.